On Tuesday I met a friend uptown and she took me through Shakespeare's Garden in Central Park. What a beauty that garden is. There were Robins everywhere and I mentioned that I don't see them often downtown.

On Wednesday I was walking the dog and she dove for something on the sidewalk. It was a dead baby Robin, not yet 2 inches long, almost featureless. I pulled the dog away, we kept walking, and I started seeing blue egg shell pieces on almost every block. Maybe Robins like all the scaffolding, maybe they like the eaves, maybe old predators are gone or all the recent construction has shaken everything up. We're Starlings, Pigeons, Sparrows, the occasional hawk or rogue Yellow or Red Finch, but rarely Robins.

Thursday and Friday I saw another dead baby Robin, same on Saturday. Walking the dog home this morning from the park I saw another, but it was more fully developed. It's beak was yellow, it's body plumper. I don't know if a nest mate is kicking these birds to the ground or if they're falling. I've never seen a baby Robin that close, but I'd rather watch them develop live versus, well, dead. Any naturalists out there who can fill me in on why Robins now?

The dog chewed the nose off her favorite stuffy and pulled the head stuffing out. Then she dumped it in my lap and said Fix it. I stuffed the stuffing back in and sewed the nose closed and 4 seconds later she was throwing it up in the air and had a mouth full of stuffing. This time I pulled the head stuffing out and sewed the monkey into Pumpkinhead. She loves it just as much as she did when Monkey had a face and if I was writing a kid's movie there'd be a sweet lesson here.

On Tuesday we took a walk through the center of Soho, something I avoid with the dog because of crowds. It was early and quiet -- Tuesday must be fly home day for tourists -- and many shops had their doors wide open. Some even put out water bowls for dogs, which mine sniffs with snobbish scorn. The welcoming doors, however, beckon and I had to drag her by every shop as she strained to go in. Finally I asked an eyeglass store if the dog could come in and the salespeople yelled Yes! Yes! A bowl of treats appeared and everyone clamored to give her a cookie. It hit me that my dog knew this, that all stores have treats. Which meant we treat-whored our way from the eyeglass store to home and got here just in time for lunch.

I'm very happy that people are signing up to follow my blog. Yesterday's post took precedence over Pitbull Mondays; it was hard to write and when I finished it I just wanted to get it up there. For quite a few years I've been working on a book about my past and addiction and getting clean, and quite a few people in my life, especially some of my professional relationships, don't know my history. Or I don't think they do, yet I could be way off since they know my work and the themes that run through it. Yesterday's post put it out there and what was nice was, after I posted it I didn't think much about it. I've come to accept my history for what it is - simply my history - and I'm no longer attached to the story of my past. My past is the past, my present the present and I wouldn't have what I have today if I hadn't had what I had then.

Everyone thinks their dog is the prettiest and greatest and will get into the best kindergarden and maybe be president but mine really is and will be. She'll chase a ball now and a week ago wouldn't. She learned big dog moves by playing with big dogs and is trying them out now at the dog park. The weather is warm and she won't come in the house, so getting her upstairs has become a royal tug o'war. Our next door neighbor is Claus Oldenburg, the artist who has a show up at MoMA, and his front door and garage has become her favorite poop spot. It's like the dog is leaving him a congratulatory gift and all I can say is Mr. Oldenburg is very cool when he sees me bent over cleaning his driveway.

Dear Opalicious,

We heard you had to go to the vet this week with a swollen jaw. We got you a Wubba toy, aka Mr. Fiber. We hope he makes you feel better.

All our love,

Bill, Harvey and Relic

Dsoh Lbil, Yrfsvi and Edlic,

Wtoih yos sh mytj dlr ej Wubba. Hh saxly smeighmb French Bulldog srte djeeh :Big lump on your face. Mynos yono ghnv h huiahe At least I don't eat my poo. Wubba hbniey hnjio raised in a barn? Ciehshn slgein edih h big hairy dog jumped me shmni soirttdhwn cockroach! joiunnd hdpwpj shnn dhehi and now I have a rash. Liuown sdbbee WebMD shnje ns hee unguent and chicken.

Shuidh fpy,

Opalicious

(photos by Jon Waldo)

A very good friend, Jon Waldo, has a show opening this Friday in Chicago at Linda Warren Projects. I love his work and how he talks about it:

On Sundays, when my father brought me to church, I could rarely stay focused on the mass. Instead I'd stare at the stain glass windows and paintings. The canvases usually contained figures placed centrally, without context, floating on monochromed fields of gold. The Nave seemed to flash and float with color and light.

I grew up Jewish in an Irish Catholic town and used to go to Midnight Mass with my friends. I'd sit in the pew and look at the paintings and stained glass, awed. It was a visual explosion, so foreign; it was storytelling about death. Jon brought me right back to it.

When I draw I look for objects that resonate. The subject of each stencil are not static because they can be recreated at any time, free of contextual restraints. I found that memories could be transformed by repeatedly recalling recollections.

See why I love the guy and his work?

A friend, Collin, who had studied theology with a specific interest in Native Americans told me that I was essentially doing what the Shamans do - traveling back in time to fix the past and change the future.

For me, there is a simplicity about my subject matter and the relatively uncomplicated manner in which the subjects of my paintings are depicted. As a native New Englander, I have long been interested in the 19th-century Transcendentalist thinkers as Ralph Waldo Emerson and Henry David Thoreau, who called attention to and celebrated the extraordinary nature of the ordinary.

These paintings exude the pop art feel of 1970s rock-album cover designs, but without any of the self-conscious irony that has become so common in a lot of contemporary art that makes such references. Responding to the tenor of these times, I believe my newest paintings express a certain sense of urgency about just how worthwhile⎯or necessary⎯it is or might be right now to pay attention to and recognize the value, in many senses of the word, of everyday experiences and the most familiar objects and events of daily life.

If you're in Chicago and see his show, let me know what you think. If you want to see more of his work, www.jonwaldo.com.

We're starting to get into a rhythm with the dog. Up to this point she's been changing fast, but at 5 months she's settling into herself. I'm starting a new project which means I get back into a routine, hence Pitbull Mondays.

Thank you. Email me for where to ship.

When my second job ended I was still financially at zero and needed to get a job quick. This time I didn't look for entry level and instead looked for anything that hinted at creative. Four days into my search I saw an ad for a scanner operator at Time Inc. Fuck, man. Time Inc. Imagine working there. Maybe I could work there. Why couldn't I work there. I was going to work there.

The scanner operator at my old job talked a lot about what he did and I started thinking about the language he used. I realized I knew enough to bullshit my way in to an interview. I tweaked my resume, sent it over to Rockefeller Center and two weeks later got a call. I put my one suit on with shoes and purse that matched and I went to the interview.

The person I was meeting with was in the Ad Center, a branch of Time Inc. that was in the basement. When I got there he put his hand out and I shook it and started talking. "I don't know much about scanning," I said, then my eyes started rolling around crazy. "I really want to work here. My last job was at an imaging house and I know how to do everything else it says on my resume. I read 'What Color Is My Parachute' and I'm willing to work hard and do whatever it takes and the two companies I've worked for so far have gone out of business -- Oh! Scitex backed the second one and even though the owner took off with their money they liked him!" He wrote something down, then smiled. We stared at each other and I saw he wasn't annoyed that I lied. I asked, "Do my skills fit anywhere?" He nodded and made a phone call. What I heard sounded like the parents from Peanuts: "Whah wah, wah wah wah." A minute later he led me down a hall to a cubicle. "Good luck," he said. "I hope you get the job."

It took five interviews: Peggy thought I'd be great but Alan didn't think I was the 'right stuff.' Everyone at Time Inc. was Ivy or had something stellar going for them, and my family's only claim to notoriety was when my uncle stood in the middle of Chinatown in Boston, shit his pants and yelled "I am NOT a homosexual!" Peggy prevailed and I got a job as a production assistant working at People Magazine.

The job was pure grunt: I was to check in advertising materials, log them into a computer and send the 4-color film to production to make sure it matched the color chrome the advertiser sent along. Each weekly magazine - People, Sports Illustrated and Time - had a team of four that worked side by side in an open plan office, across from cubicles filled with Team Leaders.

All of us, leaders and peons, were the misfit toy section of Time Inc. We were a posse relegated to the basement, made up of a compulsive masturbator (Brown); an he's-not-out-of-the-closet compulsive shopper (Yale); a 6' 5" female college basketball star (U of Texas) who wore skirts and tube socks; a Harvard grad who got lost every time he left the building; the son of a very famous Talmud scholar (Brown); a relative of Jimi Hendrix (Middlebury); a U of Penn PHD who's left breast was bigger than her right and asked me every day if I could tell (I couldn't); a pothead who loved heavy metal (his dad ran a printing plant Time Inc. used); and my boss, Mario, a 90-pound impeccably dressed weakling who was a virtuoso pianist.

A retarded monkey could do our jobs and we pissed the day away telling stories. "In college I worked in a custom shirt shop," Mario would begin. He grew up in blue collar CT and had put himself through Juilliard. "One day a Sheik came in with an entourage of 20. I closed the store for him and then presented our dress shirts as well as cuff and collar options. The Sheik chose 30 of every style I suggested." Mario chuckled. "Which were all our styles. I then went high into drawers, low into drawers pulling out all of our very best ties. He bought 7 of every tie." Mario wrung his hands, excited. "My boss watched from the doorway and I could tell he was pleased. When I rang up the sale, the total was over $35,000. It was the biggest sale we had ever had." Mario pulled a glucose monitor out of his shirt pocket and stuck his finger in it. He was a severe diabetic and had to test his blood frequently. "I carefully wrapped a tie for the Sheik - everything else would be shipped. I helped him and his entourage into a line of Rolls Royces outside, and when I went back into the store my boss came over and put his hand on my shoulder. I was ready for the accolades." Mario looked at his glucose number. "My boss looked into my eyes and said 'Mario.' I look at him, feeling nothing but love. I said, 'Was that spectacular?' My boss put his other hand on my shoulder. 'Mario,' he said. 'You didn't sell him the pin dot tie.' " Mario nodded his head to drive home the point then jerked up his shirt. He pulled a syringe out of his other pocket and stabbed himself in the stomach. "Who wants to go smoke," he said.

(Years later, long after I left, Time Warner purchased the above drawing on the left in 2004.)

A basketball court near us doubles as a local dog run when not in use. Spanky (first photo) is a good friend's dog and could pass as Opal's older brother.

The dog pile was impromptu when we all showed up at once.

Dogs smile? This one laughs.

She's finally learning how to go down stairs.

Yesterday Joe came in from Opal's first walk around 6:45 a.m. "Number 2 is getting laid," he said. Our building only has 4 apartments to a floor and we pass all of them multiple times a day. Number 2 recently got new tenants - 2 women and a guy - and this was something we hadn't heard coming from there yet. The women are big partiers and I hear glasses clinking and slurred laughing most nights I pass their door. The guy is a pothead, or my guess says it's the guy since we never see or hear him and only smell pot when the apartment is silent. Whenever we walk the dog past the second floor she wags her tail at the sounds of fun but this morning she cocked her head, confused. "I thought Opal let out a weird bark then realized it was a female, moaning."

The front door in that apartment line opens in the kitchen so I figured she was having kitchen table sex. Maybe stove sex. This apartment has a super high rent and super high turnover, so we never get to know who lives here.

Opal's favorite dog in the world lives on the same floor two doors over. Relic, a 100-pound 9 month-old Rottweiller, is owned by a gay couple and of everyone in the building we're the friendliest with them. They're ready for Number 2 to move out. For them, today would be nice.

The next floor up houses mostly professionals who leave early in the morning and come home in the evening with dry cleaning. There's a Maltese named Hercules who lives above Number 2, but Hercules doesn't get long walks so we don't see him much. This floor used to be the home of a star chef on the rise who was also a pot dealer. He couldn't keep a job and eventually bottomed out. He moved home to his mother's and got clean and now runs a restaurant in Chicago. Though we never met while he lived here, I know all this because we ended up meeting through mutual friends. We're now Facebook friends.

The next floor has a Miniature Australian Shephard owned by a fashionable Aussie who travels a lot. She has a 7 y.o. son and until recently she had an English manny. Who may have been her ball buddy. That's me making that up and not just because they looked good together. Whatever it was it's kaput since the manny is gone and a babysitter/dog walker with a great looking pocketbook is now in.

Up a flight is Duke, a rescue adopted 7 years ago when his 83 y.o. owner became widowed. Duke vacuums the streets while walking and yesterday scored a bagel, a slice of pizza and a mitten. He also knows what doormen give out treats and when his owner takes him swimming in a hotel in Tribeca Duke drags her doorman to doorman as they make their way to the pool.

Our floor has Opal's other favorite dog, Bowser, a Boxer/mutt blend who is also a rescue. Before Bowser and owner moved in the apartment was a brothel, or where pros would take their clients. This arrangement was short lived since within a month the whole building knew what was up with the 6 ft. glamour girls and their 5 ft. dates and someone complained. Like the tenants before them, they disappeared overnight.

The tenants before them were two runway models, a male and female. Both were gorgeous and I'd catch glimpses of them coming and going during fashion week. The rest of the year I'd never see them and figured they were away walking a runway somewhere. The super must have thought the same thing because he went into their apartment one day to check a leak and there they were in bed, freebasing heroin. A day later they were gone.

The apartment next to them used to house two men, one of whom was a big EDM DJ. Late one night the DJ knocked on my door and I when I opened it he calmly stood there wearing two sleeves of tattoos and a skimpy red metallic thong. "Will you call the police?" he asked. Behind him his boyfriend was casually throwing crate after crate of albums down the stairs, along with bits of clothing and a bong. Mirroring his calm I said "I'll call the police for you," and reached for my phone. He was high, his eyes looked dreamy and there was no urgency, no sign of physical fighting. He thought about it for a few moments and his eyes focused a little. "No," he said. "I don't think I want you to." Shortly after both moved out.

The neighbor I remember most was a white 20-something guy who lived across the street from me when I lived around the corner. I had a loft on Wooster Street and my studio and bedroom looked into his floor-thru apartment. Or really, the front half of his floor-thru. (A floor-thru runs from the front of the building to the back.) If I left my apartment, walked down hall and around the corner to the elevator, I could look into the back half, which I did when I came and went.

I first noticed the apartment because three of the windows in the living room/bedroom had the backs of large stretched canvases leaning against them. They never moved nor were any added to the pile. Next to them was a tv and at night I could see it glow. All of this faced a bed, where most days and nights this 20-something good looking guy laid either on the phone, eating or watching tv. He'd get high, too, but I couldn't tell what he was smoking. He'd sometimes get off the bed and disappear down the hall where there was a bathroom, and if he continued walking down the hall, which I never saw him do, he'd enter his kitchen. Waiting for the elevator, this is the room I looked into.

One day I saw a beautiful black woman about his age wearing nothing but rubber gloves doing dishes at the sink. I had seen her around the neighborhood; she had an afro-style head of hair and was at least 6 ft. tall. Over a few months only once did I see her in the bedroom with him watching tv. Most of the time she was compulsively cleaning the kitchen, always in rubber gloves, her eyes dreaming away.

This was how it went for a while then I saw new movement in the bedroom. I went to the window and there he was getting it on with a man. Hmmm, what happened to the girlfriend? The kitchen was spotless and a few days later she was back, scrubbing away. Did she know? Did she care?

A week later I saw more movement, but this time the apartment was crowded. I put my brush down and went to the window and saw police, maybe five of them. They were circling something on the floor and I couldn't see what it was. Or who it was. A few hours later a coroner's van showed. Though I looked into his windows for days after I never saw him.

My neighbor had died and I didn't know how. The apartment started getting emptied and what was left was a beautiful, richly upholstered custom white loveseat. I obsessed for a day over that loveseat - a guy died, but damn I want that - and then two top of the line Mercedes pulled up. His girlfriend got out of the back seat of one and what could only be his parents got out of the other. All were dressed impeccably, Greenwich Connecticut-style and they went up into the apartment. His girlfriend came out with a sheath of drawings and waited awkwardly by the car and it struck me how final death is. His parents came out empty-handed and as I watched the cars drive away I felt that even though I never knew him, in a way I knew him well.

There was an old kook who roamed the neighborhood and if you gave him a dollar he'd tell you anything you wanted to know. I saw him ambling up Wooster Street and ran out with a buck. I stopped him and pointed up to my neighbor's windows. "About a month ago someone died up there. Know anything about it?"

He waited for the dollar and I gave it to him. "Choked to death," he said. "Puked, and choked."

My neighbor had OD'd. I felt awful, sad, his parents would never understand and his girlfriend would move on. She must have, since I didn't see her for a whole decade. Then one day there she was, around the corner, homeless on the street. She was still a beauty, but her eyes were dead. The next day I went back to where I saw her and she was gone. I never saw her again.