Pamela Harris

Posts in the Books Category

Dogs Never Suck November 8, 2024

Growing up in a barely middle class, puritan New England town, I often saw bullying brutality in and outside my home. Sarcasm ruled. If you had a feeling - any feeling - you made a joke or buried it. You shoveled snow or smoked a butt. You didn’t be a weakling and talk about it.

In high school we’d get high and dream of getting out of our town, of going into the world to leave a mark. I left the instant I could, but this wasn’t the norm. Living there was so embedded in our DNA that it was more fun to talk about leaving than actually do it. Some left for a year or two, but most came back. They wanted familiar. They wanted what they knew. They wanted their kids to go to the schools they went to. Familiar was easy. It felt safe.

What hit me repeatedly during this election is how many people don’t want change. They want what they know. Change is uncertainty. I think part of the reason Kamala Harris lost - next to the reality that America wasn’t going to vote for a female president - was because she represented change. Her opponent didn’t. His old school machismo and beliefs he repeatedly spouted had an effect that somehow - I don’t understand how - created safety. You knew exactly what you were getting.

I’ve never taken for granted what it means to be an American. Go to any country and locals who speak English know that English signifies class. It suggests someone is wealthy enough to be educated. To speak English is aspirational. Our clothes, movies, tv shows, books, art, all our products set a bar of desire. Currencies around the world find their value against the American dollar. It’s the strongest currency because it’s always been the most stable.

Even when we’re hated we’re still envied. Reluctantly admired. Mostly because Americans represent democracy and hope to countries who don’t have either. We were the country the world tethered dependence on as proof that justice prevails. But now we’re in new territory. Now we get to see what comes next.

I grew up in one of those towns that scorned immigrants. If you weren’t third generation you sucked. But the reality was that most of us were first gen. Second at most. My stepfather came to America when a cousin here sponsored him. They got him a job sweeping floors in a factory. My stepfather had an eighth grade education and didn’t speak English. Twenty-five years later he bought that factory. Many of his employees were immigrants. They had benefits, but he made sure they had a life insurance policy. To my stepfather, life insurance was magical. He had come here in steerage after his whole family was wiped out. Life insurance was safety, something you could get in America.

When I came to NYC all the delis in my neighborhood were run by Koreans. The parents stocked shelves and worked the registers all day and night. Their kids sat barely out of eye shot studying. I’ve lived in the same neighborhood for over thirty years and got to see their kids grow up. Many went to charter schools, then on to med school, or became engineers. One kid went to work for NASA.

NYC became the capital of the art world only because immigrants came here fleeing Hitler. Call culture elitist, but in war, early targets are museums. Kill a country by killing their culture. Destroy or steal their history. The value of culture gives a place a sense of place. It gives it meaning. Everyone loves their local museum whether they visit it or not. Through our art, movies, books, tv shows and music - a trillion dollar industry and more - think of the influence we cleave around the world. Ever hear a Russian rock band? Bring earplugs. The irony is, the creative world in America is Jewish, gay, straight, Black, white, trans, undefined and more. A gaggle of groups now under fire.

On a personal level, this last year has been brutal. It's been a micro version of the macro going on in America. For an entire year (and still ongoing), on almost a weekly basis I've had to deal with two bullies who are cruel and vicious. I’ll write more about it later, but they've turned out to be the most poorly wrapped gift. I have had to look at where and how I still give my power away because of fear. And this let me became so f*cking determined to never ever do that again. In turn, a lot of the fear has vanished. Faith over doubt. It always comes back to faith over doubt.

Wednesday night I did a zoom with a group of actor and writer friends and one said, “Do we simply let him take over?” She wasn’t suggesting violence. I think she was expressing what I’m feeling more than anything right now: Defiance. If I add the tone of hope to ‘what do we do now?’ and try to keep my heart from hardening, it’s a good question.


Stay in Your Lane August 25, 2013

I just finished this freelance gig and am bone tired. I used to crew on low budget features which meant 5 a.m. call times and 6 day work weeks and I loved it, working without a break for months if necessary. This job had a mind numbing quality, a repetitive sameness with no end in sight where you come in every day and do the same thing with little variation. When I couldn't sit there for another second I'd do book runs , but I'd also cruise around and take the temperature of the place. I was working for a large white collar corporation and it takes a ton of cogs to keep it moving. In this environment the jobs are very defined if your not the bosses bosses boss and the 'stay in your lane' mentality as a friend perfectly put it is paramount to thriving here.

What I liked about the job is it got me out of my life for just long enough to see what I'm doing with fresh objectivity. I also got to learn new business practices and apply them to what I do. Stepping away from my routine lets me see and burn out any dead wood I might be sitting on. Plus, given it was a publishing house, I got to rebuild part of my library and meet interesting people. This job made me very grateful for what I do and I can't wait to dive back into my routine tomorrow with Joe, with the dog and with my work.


Pitbull Monday on Tuesday April 23, 2013

I'm very happy that people are signing up to follow my blog. Yesterday's post took precedence over Pitbull Mondays; it was hard to write and when I finished it I just wanted to get it up there. For quite a few years I've been working on a book about my past and addiction and getting clean, and quite a few people in my life, especially some of my professional relationships, don't know my history. Or I don't think they do, yet I could be way off since they know my work and the themes that run through it. Yesterday's post put it out there and what was nice was, after I posted it I didn't think much about it. I've come to accept my history for what it is - simply my history - and I'm no longer attached to the story of my past. My past is the past, my present the present and I wouldn't have what I have today if I hadn't had what I had then.

Everyone thinks their dog is the prettiest and greatest and will get into the best kindergarden and maybe be president but mine really is and will be. She'll chase a ball now and a week ago wouldn't. She learned big dog moves by playing with big dogs and is trying them out now at the dog park. The weather is warm and she won't come in the house, so getting her upstairs has become a royal tug o'war. Our next door neighbor is Claus Oldenburg, the artist who has a show up at MoMA, and his front door and garage has become her favorite poop spot. It's like the dog is leaving him a congratulatory gift and all I can say is Mr. Oldenburg is very cool when he sees me bent over cleaning his driveway.



Henry Flynt February 22, 2013

A friend of mine sent me a link to an artist he discovered named Henry Flynt. I never heard of the guy and looking around I found this invite from 1961 inviting people to hear music at Yoko Ono's house. The list of people performing is incredible, but what's more fascinating is how they all must have known each other. This is why I love technology: what museums used to do - show me 'x' across a room from 'y' in a way that lets me make associations - is now what the internet does. I can research almost anything and surf my way into far out ideas and connections. Granted, online content is still fueled by humans, but hopefully science is working hard to change that.


Not My Mother's Jewelry December 7, 2012

There was once this blue chip art dealer who used to schlump around her home in a frumpy house coat and slippers while wearing a million dollars worth of jewelry. She was my idol.

My thing with beautiful jewelry started after 9/11 - literally, days after. I was roaming up Prince Street looking for nothing, simply getting out to get out of my home and head. The wind had changed direction and my neighborhood was filled with a smog of white ash and the few of us out wandering stopped for brief hello's even though we didn't know each other. After a few blocks I was ready to turn around and absently stopped outside a jewelry store, Reinstein Ross. In their window they had postcards of their jewelry leaning on tiny stands, showing dainty and carefully made gold and beaded rings and bracelets, and I just stood there, staring. Their jewelry was charming and sweet and, maybe because of how little it meant in the big picture it suddenly meant a lot.

Over the next few years, if I found myself midtown with time to kill I'd roam into Bergdorf's and look at their jewelry counters, then walk down Fifth Avenue and bang out Tiffany and Van Cleef's windows. I still do that and once in a while I even go online to look at what's coming up at the Sotheby's or Christie's jewelry auctions. What I've discovered is I don't envy or covet or lust for these things; it's more, there's something about the perfection of beauty that lets me clear my head, shake out a demon or two, let my thoughts mindlessly roam.

I'm quite happy flopped on the couch, fishing around in my pants for nothing in particular, Joe sitting next to me mining a pint of ice cream as we stream tv episode after episode like a couple of crack heads. When I'm on a deadline, like I am now, I become a real bore since all I can think about or see is the thing I'm working on. Zoning out on a tv show or a Lorraine Schwartz bracelet is the pause that lets me reset.

Usually when I'm working like this I don't go out much, but this week I said yes to everything. I had a concert, a quiet dinner, a dinner party/game night, a birthday party (great drag queens), a lunch and a book party. My friend Pam shares a similar love for jewelry and she invited me to the book party because it was being held at Verdura, which meant good jewelry ogling.

Pam first needed to make a pit stop at Taffin, James de Givenchy's jewelry showroom, a jeweler high on my ogle list. By the time we got there most of his inventory had already been put in the safe, but he led us around his showroom before the rest went in. I found myself staring into a glass dome that held an exquisite diamond bracelet that had half-inch long bronze colored eggs hanging from it. The eggs were elegant, studded with tiny diamonds, and I couldn't figure out what they were made out of. He took the bracelet out of the case and fastened it onto my wrist and surprisingly, despite the size and number of eggs, the bracelet weighed nothing. I looked closely at the eggs, still not able to figure out what their material was.

"It's an AK47," he said.

"You mean the gun?" He nodded. "You're repurposing AK47's?"

"It's a new material I'm working with." He pulled out a 4-inch egg, also studded with diamonds. Small squares of metal overlapped to create a surface that stayed cool despite my hand being around it. Maybe I was cool to it; magnified to this size, the egg felt like a grenade. It got me thinking about a piece of jewelry's history, how it moves from hand to hand, auction house to auction house, mother to daughter, friend to friend, father to son, the meaning it imbues and embeds and carries. James de Givenchy seemed quite respectful of the material, and though I later read about this collection being an agent of change and of being about new possibilities, I got the sense that he had removed it's history and was in the process of simply making the metal his. Is that what we all do with history?

After Taffin we went to Verdura and once Pam said her hellos (she does PR for a publisher) we wove through a few rooms, ogling this and that. I love Verdura's old-school cuffs and jewelry from the '40's, especially the over the top tacky pieces. Verdura I would pile on, and as the rooms got more and more crowded that's what women were doing. I've never been to a book party where guests were that interactive with their surroundings, but then again I've never been to a book party that was catered like this one was. Whoever did the food was killer -- fried sage leaves, yellow pepper mousse in parmesan spoons, salmon wrapped in crepes with chives, filet with a red pepper coulis, arctic char on a puree of fava beans -- all of it bite-size and beautiful. After Pam and I had our eye fill of jewelry we found a nice couch to sit on where waiters brought tray after tray of these gorgeous little snacks, and since no-one else was eating our couch became food central. I stuffed my face and would've knocked over a few Gulf Stream socialites to palm a few more of those sage leaves if I had to, that's how good they were. After an hour I was ready to go home, as was Pam, and though the waiters were sorry to see us go we happily rolled on out of there.