Pamela Harris


The finale of BREAKING BAD was incredibly satisfying. To see Walt lovingly touch his meth making apparatus while dying is to suddenly make him a scientist at work in his lab. Add to this his admittance that all he's done, he's done for himself because he liked it makes me question his morality, i.e. is there any? Yet the writer of the show, Vince Gilligan, makes sure Walt provides for his family in the most egoless way he can. Walt also saves Jessie and kills the one group of characters in the series who have no soul to lose. To want redemption means a heart beats inside, and that this show came full circle, and went back to its very beginning gives it a complete sense of closure.

I don't own a TV and watch shows on my computer, almost never when they air. We stream a lot and since the dog passed we've been ripping through the America version of THE OFFICE. Streaming means no break between seasons, no weekly pause between shows, no extended cliffhangers or to-be-continued's, so the viewing experience takes on a whole new dimension. Up until this year I watched BREAKING BAD weekly, but this season I missed weeks here and there and watched a few episodes back to back. What was amazing is it didn't matter how I watched it. The show was seamless, a slow build of expectation that in small beats circled back on itself before revving forward. BREAKING BAD could've ended a hundred different ways and the choices the writers made resonated for me far off the computer screen. When the final credits came up, I felt a real pang and couldn't watch anything else for a few hours.

If you need your BREAKING BAD fix forever, a lot of the props are being auctioned off, including the pink teddy bear. It's $7600 and rising, and you have 5 days left to bid. May Gus's Hazmat Suit be with you.


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